[dgpkh] Download Plinc Hasler Circus fonts from House Industries

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Hasler Circus packs amusement park, Old West, folk art, and tattoo shop all into one colorful font. Characteristic of reverse-contrast faces, Hasler Circus swaps the weight of its stems and serifs creating an unexpected yet charming rhythm. The font also features an added bonus: split stroke endings to crank up the flavor. Inject a dose of novelty into toy packaging, candy wrappers, cook books, vintage signs, or festival marketing. Drawn in the 1950s for Photo-Lettering, Inc. by influential British designer and typographer Charles Hasler, Circus was digitized by Erik van Blokland in 2011, with a helping hand from Ken Barber.

HASLER CIRCUS CREDITS:

Typeface Design: Charles Hasler

Typeface Digitization: Erik van Blokland, Ken Barber

Typeface Production: Ben Kiel

Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Plinc Hasler Circus

[gtccd] Download Algaida fonts from Hikhcreative

Download Now Server 1 Download Now Server 2 Download Now Server 3 Algaida is a beautiful modern script font with beginning and ending swashes, All characters that add more beautiful and aesthetic fonts to perfect your extraordinary project. Algaida Algaida

[usxdr] Download Magnold fonts from Hikhcreative

Download Now Server 1 Download Now Server 2 Download Now Server 3 Magnold is a modern bold and elegant serif font. Magnold is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. Magnold Magnold

[hqkri] Download Bakemono fonts from Zetafonts

Download Now Server 1 Download Now Server 2 Download Now Server 3 Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design , inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy , which has been dealing with for centuries with fixed space grids. The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicali...

Jaeden Mcmanus

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