[ztgll] Download Klutz AOE Pro fonts from Astigmatic

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The Klutz AOE Pro Family was inspired by the plethora of naive hand drawn lettering becoming commonplace in modern advertising. What I hadn't seen was a family of hand drawn typefaces, in a range of widths and weights, with both alternate capitals as well as small caps character sets...and so Klutz Pro was born.

The letterforms started with a few letters my daughter had drawn which I expanded on from there. Pulling from inspirations in retro cartoon titling and modern hand lettering playfulness, the full font was born, with weights and width to follow.

Quirky, eclectic, and just a bit ridiculous, it lends itself to a range of design typesetting - although I must confess, even though it all began with the Regular width, the Extra Condensed styles are my personal favorites. What's your favorite?

Klutz AOE Pro

[gtccd] Download Algaida fonts from Hikhcreative

Download Now Server 1 Download Now Server 2 Download Now Server 3 Algaida is a beautiful modern script font with beginning and ending swashes, All characters that add more beautiful and aesthetic fonts to perfect your extraordinary project. Algaida Algaida

[usxdr] Download Magnold fonts from Hikhcreative

Download Now Server 1 Download Now Server 2 Download Now Server 3 Magnold is a modern bold and elegant serif font. Magnold is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. Magnold Magnold

[hqkri] Download Bakemono fonts from Zetafonts

Download Now Server 1 Download Now Server 2 Download Now Server 3 Francesco Canovaro created Bakemono as a way to explore the design space around the duality of fixed/proportional width. He was also interested in the concept of monowidth design , inherent in monospaced typefaces, that can bring flexibility and ease of use also to proportional type - allowing you to change the weight of a word without losing the text alignment. In his research on fixed width type design he mixed the lessons of mechanical typewriter technology with the intuitions of eastern brush calligraphy , which has been dealing with for centuries with fixed space grids. The name of the typeface comes from the Japanese shape-shifter yokais that could change their form freely between human and animal, and aptly describes the metamorphic nature of this wide superfamily coming in proportional, monospace and intermediate subfamilies. With a design mixing the expansion principles of the brush with the sharp technicali...

Jaeden Mcmanus

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